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Gnawa. Nacho Duato

CND ARCHIVE NACHO DUATO'S REPERTOIRE 90/10

Gnawa. Nacho Duato. Bailarina: Tereza Gonzaga
  • Choreography: Nacho Duato
  • Music: Hassan Hakmoun/Adam Rudolph (Gift of the Gnawa, “Ma’Bud Allah”); Juan Alberto Arteche and Javier Paxariño (Finis Africae, “Carauari”); Rabih Abou-Khalil, Velez, Kusur y Sarkissian (Nafas, “Window”)
  • Costumes: Luis Devota and Modesto Lomba
  • Lighting Design: Nicolás Fischtel (A.A.I.)
  • Premiere performance by the Hubbard Street Dance Chicago at the Joan W. and Irving B. Harris Theater for Music and Dance, March 2005. Premiered by the Compañía Nacional de Danza at the Euskalduna, Festival Dantzaldia, Bilbao, the 4th of November 2007.

In 1992 in his home city of Valencia, Nacho Duato premiered Mediterrania, searching deeper into his roots and those of his forebears, and his sense of complicity with the Mediterranean Sea.
In Gnawa, premiered by the Hubbard Street Dance Chicago in 2005, the renowned choreographer has continued along the path he set out on with Mediterrania, seeking to transmit, through the medium of movement, the sensuality of the landscape, the true nature of its peoples. With a suggestive musical score replete with Spanish and North African sounds, Gnawa captivates its audience through its all-encompassing power and its sensual elegance, combining the spirituality and organic rhythm of the Mediterranean.
Gnawa is the name that receives in Morocco and other parts of the Magreb the members of different mystic Muslim brotherhoods characterized by their sub-saharian origin and the use of song, dances and syncretic rituals as a mean to reach ecstasy. This term also refers to a musical style of sub-saharian reminiscences practised by these brotherhoods or by musicians inspired by them. It is considered one of the main Moroccan Folklore genres.