![]() |
REPERTOIRE Gnawa
|
Choreography:
Nacho Duato
Music: Hassan Hakmoun/Adam
Rudolph (Gift of the Gnawa, “Ma’Bud
Allah”); Juan Alberto
Arteche and Javier Paxariño
(Finis Africae, “Carauari”);
Rabih Abou-Khalil, Velez, Kusur
y Sarkissian (Nafas, “Window”)
Costumes: Luis
Devota and Modesto Lomba
Lighting
Design: Nicolás
Fischtel (A.A.I.)
Premiere performance by the Hubbard Street Dance Chicago at the Joan W. and Irving B. Harris Theater for Music and Dance, March 2005. Premiered by the Compañía Nacional de Danza at the Euskalduna, Festival Dantzaldia, Bilbao, the 4th of November 2007.
In 1992
in his home city of Valencia,
Nacho Duato premiered Mediterrania,
searching deeper into his roots
and those of his forebears,
and his sense of complicity
with the Mediterranean Sea.
In Gnawa,
premiered by the Hubbard
Street Dance Chicago in
2005, the renowned choreographer
has continued along the path
he set out on with Mediterrania,
seeking to transmit, through
the medium of movement, the
sensuality of the landscape,
the true nature of its peoples.
With a suggestive musical
score replete with Spanish
and North African sounds, Gnawa captivates
its audience through its all-encompassing
power and its sensual elegance,
combining the spirituality
and organic rhythm of the
Mediterranean.
Gnawa
is the name that receives
in Morocco and other parts
of the Magreb the members
of different mystic Muslim
brotherhoods characterized
by their sub-saharian origin
and the use of song, dances
and syncretic rituals as a
mean to reach ecstasy. This
term also refers to a musical
style of sub-saharian reminiscences
practised by these brotherhoods
or by musicians inspired by
them. It is considered one
of the main Moroccan Folklore
genres.
