Choreography: Jirí Kylián
Music: Anton Webern (Fünf Sätze für Streichquartett opus 5, 1909)
Sets and Costumes: Jirí Kylián
Light Design: Joop Caboort
Setting: Roslyn Anderson
World premiered by Nederlands Dans Theater at Lucent Dans Theater, Den Haag, November 24th 1988. Premiered by Compañía Nacional de Danza at Teatro de la Zarzuela, Madrid, October 3rd, 2002.
The basic idea of this choreography is inspired by a small sculpture by Alberto, a simple slightly deformed board-game with little craters and ditches and two pieces of wood resembling human figures. One might feel as if one had been invited to a game, the rules of which are being kept secret or have never been determined. But as you begin to play this mysterious game, you start to learn its laws – only sometimes too late.
Anton Webern’s music has
a fascinating feeling of essentiality
and inevitability, its sound and
structure create captivating transparency
and dynamic tension. These qualities
assembled by Webern’s uncompromising
genius become a source of energy
which has direct influence on anything
that might be simultaneously happening
on stage. The seriousness of much
of which we set out to undertake,
often results in no more than a
grotesque grimace, but it should
be accepted as such, and becomes
a valid part of our being. So this
choreographical play of structure
bodies, mind, sound and light in
time and space is merely a metaphor
of a game with extremely severe
rules, which someone once wrote
in a long forgotten language.