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  • Foto: Jesús Vallinas. Bailarines: Aída Badía, Agnés López y Erez Ilan
  • Foto/Picture: Jesús Vallinas - Bailarín/Dancer: Isaac Montllor
  • Foto/Picture: Jesús Vallinas - Bailarina/Dancer: Aída Badía
  • Foto/Picture: Jesús Vallinas. Bailarines: Aída Badía, Agnés López y Erez Ilan
  • Foto/Picture: Jesús Vallinas - Bailarín/Dancer: Isaac Montllor
  • Foto/Picture: Jesús Vallinas - Bailarina/Dancer: Aída Badía

ENEMY IN THE FIGURE. William Forsythe 1989

CND REPERTOIRE

  • Choreography: William Forsythe
  • Music: Thom Willems
  • Scenography: William Forsythe
  • Costumes: William Forsythe
  • Lighting design: William Forsythe
  • Staging: Ana Catalina Román
  • Duration: 29 minutes
  • World premiere by the Frankfurt Ballet, at Frankfurt (Germany) on May 13, 1989
  • Premiere by Compañía Nacional de Danza at Teatro Real Madrid (Spain), on May 18, 2001

In «Enemy in the Figure» 11 dancers perform as if observed beneath a microscope. Edgy and detached, they move in and out of the shadows cast by a huge spot light, their bodies in counterpoint to an environment saturated in technology. 

Making use of an undulating screen positioned diagonally across the stage, a rope that is pulsed across the floor as if indicating energy levels or secret messages, a floodlight on wheels that is manipulated by the dancers, and a ticking, brooding score by Thom Willems, «Enemy in the Figure» is a dark and thrilling poem about vision and perception, form and chaos. Light - as integral here to the choreography as the steps - filters across the stage in uneven and transient shafts, exploding and contracting the space, bathing the dancers in a concentrated glare or obscuring them with deepening shadows that intensify the ephemeral beauty of the movement.

Donning garments of layered fringes over their black or white leotards, the dancers burst out of and disappear into the darkness like eruptions from the unconscious, their bodies appearing as polyphonous instruments that can generate movement from any point. Ballet-trained limbs mutate into angled, disjointed shapes, inscribing convulsive geometries as they spin against their kinetic shadows, or generate endless chains of movement on a suddenly empty stage, the light bleached and even, the music a low, rhythmic, repetitive melody. In a universe alternately frenetic and calm, «Enemy in the Figure» presents a non-narrative of mystery and urgency, isolation and connection, the mechanical and the human: dance as a medium for infinite possibilities.

Album Flickr. Enemy in the Figure by Willian Forsythe 

CND- A Night with Forsythe

Tickets

    • Don Quixote by José Carlos Martínez

    • MADRID (SPAIN)

    • TEATRO DE LA ZARZUELA
    • 10 to 22 December, 2019
    • External link to buy your tickets to see Carmen by the CND
    • The Nutcracker. José Carlos Martínez

    • SEVILLA (SPAIN)

    • TEATRO DE LA MAESTRANZA
    • 9 to 12 January, 2020 - 20h
    • External link to buy your tickets to see the CND
    • Abstract image

    • MADRID (SPAIN)

    • AUDITORIO NACIONAL DE MÚSICA
    • 8 March, 2020
    • External link to buy your tickets to see the CND in Madrid
    • Carmen Johan Inger. Picture: Jong-Duk Woo

    • VALENCIA (SPAIN)

    • PALAU DE LES ARTS
    • 26 to 29 March, 2020
    • External link to buy your tickets to see the CND in the Palau de les Arts
    • Carmen by Johan Inger

    • PERPIGNAN (FRANCE)

    • THÉÂTRE DE L'ARCHIPEL
    • 6 & 7 May, 2020
    • External link to buy your tickets to see the CND in Théâtre de l'Archipel
      • Por Vos Muero. Nacho Duato

      • LUDWIGSBURG (GERMANY)

      • FORUM AM SCHLOSSPARK LUDWIGSBURG
      • 17 & 18 July, 2020

Auditions

  • Auditions. Jardín Infinito. Nacho Duato

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Credits

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  • Project Coordination: Maite Villanueva (CND)
  • Texts: CND