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  • Foto/Picture: Jesús Vallinas
  • Foto: Jesús Vallinas. Bailarín: Erez Ilan
  • Foto/Picture: Jesús Vallinas
  • Foto/Picture: Jesús Vallinas - Bailarín/Dancer: Erez Ilan

ARTIFACT SUITE. William Forsythe 2004

CND REPERTOIRE

  • Choreography: William Forsythe
  • Music: Part I: J.S. Bach: Chaconne from Partita Nr.2 BWV 1004 in D-Minor, performed by Nathan Milstein (14 minutes);
  • Part II: Eva Crossman-Hecht, performed by Margot Kazimirska.
  • Stage, light and costume design: William Forsythe
  • Staging: Agnes Noltenius, Maurice Causey
  • Length: 45 min
  • World premiere: 15th September, 2004; Scottish National Ballet, Theater Royal, Glasgow
    Premiere by Compañía Nacional de Danza on April 22, 2017, at Palacio de Festivales de Cantabria, Santander (Spain)

Artifact Suite, a condensed, pure-dance version of William Forsythe’s full-length ballet, “Artifact” was first presented on 15 September 2004 by the Scottish Ballet. Taken from three sections—parts 1, 2 and 3—of the original 1984 ballet, the work has subsequently taken on a life of its own as an abstract work that distills the protocols and principles of classical ballet into a mesmerizing theatrical event.

It opens with a glorious double pas de deux, framed by 30 corps de ballet dancers, set to the Chaconne from Bach’s “Partita No. 2 for solo violin in D minor.” Surging unexpectedly from the symmetrical sleek-bodied rows of dancers lining the sides and back of the stage, two couples perform simultaneous dances of breathtaking beauty, full of off-balance extensions and unexpected shifts of weight. These dramatic pas de deux gloriously elaborate and extend ballet’s formal positions and planes; but these traditions—and our expectations—are abruptly subverted as the curtain crashes down heavily in mid-sequence, only to rise again upon a renewed vision of loveliness.

The second section of “Artifact Suite” is set to a piano score by Eva Crossman-Hecht, and its repetitive, urgent lines of sound underscore the image of the corps de ballet as a complex, almost martial machine, with ballet as its precision tool.  It offers a demonstration of spectacle and tradition—the visual power of a uniform ensemble, principal dancers, powerfully moving music, a proscenium frame— even as it questions and changes their usage, and our ideas of what ballet can be.

(Roslyn Sulcas)

Álbum CND Flickr Artifact II. Forsythe

CND- A Night with Forsythe

Tickets

    • Carmen. Kayoko Everhart and Daan Vervoort

    •  MERIGNAC (FRANCE)

    • THÉÂTRE LE PIN GALANT
    • 21 & 22 May, 2019

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    • Enemy in the Figure William Forsythe

    • CLERMONT FERRAND (FRANCE)

    • LA COMÉDIE DE CLERMONT
    • 26, 27 & 28 May, 2019

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    • The Vertiginous Thrill of Exactitude William Forsythe

    • MADRID (SPAIN)

    • TEATROS DEL CANAL. SALA ROJA
    • 1, 2, 5, 6, 7, 8 & 9 June, 2019

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    • Don Quixote. Jose Carlos Martinez

    • PALMA DE MALLORCA (SPAIN)

    • TEATRO PRINCIPAL
    • 15 & 16 June, 2019

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    • Stage at the Alhambra de Granada (Spain)

    • GRANADA

    • DANCE AND MUSIC FESTIVAL
    • 6 July, 2019

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  • Carmen by Johan Inger. Kayoko Everhart and Daan Vervoort

    • PARIS (FRANCE) 

    • THÉÂTRE MOGADOR
    • 8-17 July, 2019
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  • Por Vos Muero. Nacho Duato

    • MADRID (SPAIN) 

    • TEATROS DEL CANAL
      CND GALA 4O ANNIVERSARY
    • 26, 27 & 28 July, 2019
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Auditions

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Credits

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  • Project Coordination: Maite Villanueva (CND)
  • Texts: CND