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  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez
  • Foto/Picture: Jesús Vallinas Bailarines/Dancers: Haruhi Otani, Yanier Gómez

PAS DE DEUX THE BLACK SWAN. M.Petipa y L.Ivanov 1895

CND REPERTOIRE

  • (Pas de Deux from III Act of Swan Lake)
  • Choreography: M.Petipa
  • Music: Piotr Ilich Tchaikovsky
  • Costumes: Iñaki Cobos
  • Duration: 12 minutes
  • World premiere by Teatro Mariinsky Ballet on January 15, 1895, Teatro Mariinsky, Saint Petersburg (Russia)
  • Premiere by Compañía Nacional de Danza January 19, 1984, Teatro de la Zarzuela, Madrid (Spain)
The grand pas de deux from the third act of Swan Lake – widely known as the ‘Black Swan’ Pas de deux – is an iconic moment from a ballet that has come to define the art form. The duet is remarkable for its powerfully dramatic choreography and music, which, unusually, uses the five-part structure and virtuoso display typical of a grand pas de deux to progress the plot of the ballet.
Prince Siegfried has fallen for Odette, the victim of an evil spirit who has been condemned to live as a swan unless someone who has never loved before swears to love her forever. During a ball at the palace, Von Rothbart – the evil spirit in human form – arrives with his daughter Odile, who by magic resembles Odette. Not realizing that he is being deceived, the Prince falls under her spell.

Album Pas de Deux Black Swan

Tickets

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    • 26, 27 & 28 July, 2019
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Auditions

  • Audiciones. Don Quixote. Pas de Deux

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Confirm Dates

The programmes and dates appearing on this website are for general guidance only and may be subject to changes. Please make sure you confirm any programmed events with their respective venues, especially dates and times.

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Credits

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All rights reserved. No part of this publication may be reproduced without the prior permission of Compañía Nacional de Danza.

  • Project Coordination: Maite Villanueva (CND)
  • Texts: CND