Compañía Nacional de Danza

Mischa Malsky transcribed for cello the composition’s voices in a recording in which the pianist Daria Hovora also participated. As in the songs, the choreographer strips the dancing of any evident romantic atmosphere. Love and death appear as the central subjects derived from the music, but through Duato the work is presented with a contemporary contribution to the 19th century’s obsession, so present in Schubert’s creations. A new world, with all its possibilities, is revealed in a dark existential scenographic space typical of the 20th century. Duato shows a universal vital cycle in all its spontaneity, free of unnecessary alignments and ornaments.