Giselle's costume fitting
Tulle, fabris, lace and embrouderies invaded our headquarters.
Each day, Joaquín De Luz’s vision of a Spanish Giselle comes more to life.
Peasants and town neighbours of our protagonist, Prince Albretch’s court who’ll drag Giselle to her grave and the furious willis that’ll welcome her on the after life, keep getting shaped and coloured. Here we leave a teaser of what’s to come from incredible costume designer Rosa García Andújar.
Andújar and the team of Sartoria D’Inzillo came for the first costume fitting of our new grand production.
Don’t miss it from the 9th to the 22nd of December at Teatro de la Zarzuela.
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During these weeks we have resumed our workshop Bailando con el dragón, a project carried out by CND Educa with Crossborder Project in some schools and institutes of Madrid.
Creation residencies 23/24
In order to promote choreographic creation and experimentation by young artists, the National Dance Company (CND) opens a new call for “Creation Residencies”, aimed at emerging choreographers and/or companies who, if selected, will be able to use the rehearsal rooms, as well as part of the CND infrastructure. The selection of choreographic projects will be carried out based on criteria of innovation and artistic excellence. The CND will contact those selected starting November 2, 2023.
The CND will participate in the 73 Festival Internacional de Música y Danza de Granada
The National Dance Company will perform on June 15 at the Teatro del Generalife in Granada, a magical space between the palaces and gardens of its most precious heritage, the Alhambra.
Meet our dancers: Irene Ureña
Irene is a dancer from Almuñécar and who, at just the age of two, started out in the world of dance at Almuñecar’s Aromar dance academy. At the age of eight she joined the Conservatorio Profesional de Danza Reina Sofía, in Granada, with Alejandro Donaire as her teacher. In 2010, she moved to Madrid to continue her studies at the Real Conservatorio Profesional de Danza Mariemma, where she graduated in 2013. Two years later she joined the Compañía Nacional de Danza, under the artistic direction of José Carlos Martínez.