Modernisation of our Streaming equipment
NextGenerationEU
The Compañía Nacional de Danza, within the Recovery, Transformation and Resilience Plan (PRTR) financed by the European Union – NextGenerationEU, has acquired new equipment for the 2022-2023 season in order to undertake the modernisation of its audiovisual equipment, with the acquisition of specific equipment for broadcasting and streaming communication.
The aim of the new endowment is to consolidate a comprehensive digitisation system within the National Institute of Performing Arts and Music (INAEM).
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Creation Residencies 22/23
Meet our dancers: Celia Dávila
Celia Dávila, a Basque dancer from the city of Vitoria, first had contact with dance at barely the age of four. The passion she feels for this discipline, and most especially for ballet, led her to winning scholarships in Cannes, Monaco and Boston. In 2016, she joined the Carmina Ocaña and Pablo Savoye dance school. There, she danced the part of Olga in Picasso, by the renowned Antonio Ruiz and, after taking part in Don Quijote Suite, by José Carlos Martínez, she later joined the CND under the direction of Joaquín De Luz.
Giselle’s costume fitting
Tulle, fabris, lace and embrouderies invaded our headquarters.
Each day, Joaquín De Luz's vision of a Spanish Giselle comes more to life.
Meet our dancers: Alessandro Riga
Alessandro Riga, lead principal dancer at the Compañía Nacional de Danza, has shared his passion for music with us since 2013. He has worked in different European companies, suchas as Germany’s Semperoper or the Maggio Musicale Fiorentino, in Italia, his homeland. His talent has thrust him onto some of the most prestigious theatre stages of Italy, where he has danced a wide repertoire, from the most widely known classical pieces to the most relevant contemporary choreographers. In 2013, he joined the CND as principal dancer and later rose to lead principal. Since then, we have witnessed his versatility and capacity to thrill us on stage.