Repertoire

Hevel

Nacho Duato

In the ancient Hebrew poetry, the word “hevel” formed part of the repertory of images which, like “water”, “shade” or “smoke” were used to describe fragility and the ephemeral nature of the human condition.

  • World premiere by Compañía Nacional de Danza: at Teatre-Auditori Sant Cugat, Barcelona (Spain), November 30 2007
Hevel-PORTADA

Perhaps its most notable use is to be found at the beginning of the book of the Bible usually called Ecclesiastes (Qohelet I, 2). “Hevel” became embodied in the translation of the Vulgatate as “vanitas”, and thus “vanity”. Hevel Hevelym … hakol Hevel: Vanitas vanitatum, omnia vanitas. In modern translations of the text, we find such proposals as “vacuum”, “vapour” or even “waste” (Erri De Luca: “sprecco”). From the Hebrew tradition, the Ferrara Bible (1553) translates concisely: “void of voids, absolute nothing”. Likewise, Hevel (Abel) is the second son of Adam and Eve, murdered by his brother Cain. According to the biblical story, his was the first death of a human being. The meaning of the word is expressed symbolically but clearly in his name.

It is in its use as vanitas, as void, lapse or emptiness, that “hevel” has its meaning here.

Información

  • Choreography:
    Nacho Duato
  • Music:
    Pedro Alcalde / Sergio Caballero (Hevel)
  • Set Design:
    Jaffar Chalabi
  • Costume Design:
    Nacho Duato
  • Lighting Design:
    Brad Fields
  • Running time:
    30 minutes
  • Premiere cast:
    Tamako Akiyama, Ana López, Luisa María Arias, Dimo Kirilov, Gentian Doda, Francisco Lorenzo, Bruno Da Silva, Clyde Archer