Accessible performances
Teatro Fernán Gómez and Teatro de la Zarzuela
As on other occasions, the Compañía Nacional de Danza, in its commitment to cultural accessibility, will provide two accessible performances in the upcoming performances at the Teatro Fernán Gómez in June and at the Teatro de la Zarzuela in July.
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
Alba Muriel
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Meet our dancers: Ana Pérez-Nievas
Ana was born in Madrid. She began her ballet studies at a small school in Pozuelo de Alcorcón. When she was eleven years old, she decided to take the leap and study dance professionally. At the age of seventeen, and recently graduated, she joined the Compañía Nacional de Danza under the artistic direction of José Carlos Martínez. In 2019, under the direction of Joaquín De Luz, he rose to the category of soloist.
Meet our dancers: Celia Dávila
Celia Dávila, a Basque dancer from the city of Vitoria, first had contact with dance at barely the age of four. The passion she feels for this discipline, and most especially for ballet, led her to winning scholarships in Cannes, Monaco and Boston. In 2016, she joined the Carmina Ocaña and Pablo Savoye dance school. There, she danced the part of Olga in Picasso, by the renowned Antonio Ruiz and, after taking part in Don Quijote Suite, by José Carlos Martínez, she later joined the CND under the direction of Joaquín De Luz.
Dancing around the world with Shani Peretz
Shani is an Israeli-born dancer. In 2006, she started her training in the Thelma-Yellin High School of the Arts. In 2010, she joined the Israel Ballet and, four years later, went on to join the Compañía Nacional de Danza (CND), under the artistic direction of José Carlos Martínez. In September 2019, she rose to soloist category under the artistic direction of Joaquín De Luz.
Meet our dancers: Anthony Pina
My name is Anthony Pina and I joined the CND in September 2012. As a dancer I would describe myself as sharp and energetic. I love to work fast and test the limit of how quickly I can move while still working with clean technique. One of my favorite things about dance is that it is a never ending learning experience. There are so many ways to approach dance and technique, and I want to learn all of them!